![]() Where the band really shines, however, is in the more original material, regardless of who's producing it. ![]() It's in the pieces that cater most to an American audience (such as "Tokyo Drift") that the tone goes to its simplest - an Auto-Tunes-laced ballad in the Jermaine Dupri-produced "Sweet Girl" and the Chris Brown-heavy "Work That," with its mix of Daft Punk-style backing tracks and Dirty South edge. The aesthetic is full, verging on a wall of sound approach - there's always aural activity here, from basic drum machines to chanted backups to a stray but well-placed gamelan (in a soundtrack bit from a Fast and Furious movie). The changes made? Some additional English in the lyrics, and a veritable slew of American hip-hop producers involved. With Serious Japanese, the band made a major-label release worldwide in conjunction with a domestic release. For their second album, the Teriyaki Boyz decided to try moving out of the purely Japanese market.
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